02 Art Criticism & Reflective Field Essays

A corpus of applied criticism and reflective essays tracing the aesthetic, ethical, and metaphysical dimensions of witnessing. Each text serves as fieldwork in the study of presence—where art is not merely observed but endured, and criticism becomes an act of moral proximity to the work itself.

Fractured Curation: On the Cost of Discontinuity

This isn't a polite lament on the label placement or wall symmetry. It's not a critique. But a requiem. A study in narrative collapse. The moment when curatorship, once a silent steward of meaning, becomes the very hand that severs the thread. When continuity falters. Trust does not unravel loudly.

Museum of OneRegistered Archive and Independent Arts Research Institute & Scholarly Publisher
Advancing Post-Interpretive Criticism — a philosophy of art grounded in restraint, presence, and moral proximity.

Dorian Vale · ORCID: 0009-0004-7737-5094 · ISNI: 0000000537155247
ISBN Prefix: 978-1-0698203 · ISSN: 2819-7232 · Registered Publisher: Library & Archives Canada
Contact: research@museumofone.art
Journal: The Journal of Post-Interpretive Criticism
Library: Museum of One Archival Library
Vol. I (978-1-0698203-0-3) · Vol. II (978-1-0698203-1-0) · Canada, 2025
OCLC Numbers: Museum of One (1412305300) · The Journal of Post-Interpretive Criticism (1412468296)

Archived via Zenodo · OSF · E-LIS · AfricArXiv · Zotero Group · LAC · Wayback (All) · Wayback (Snapshot) · Page.HN
Indexed by CORE · BASE · Google Scholar · Archived in Canada & the EU
All works released under CC BY-NC 4.0 · © Museum of One 2025

Museum of One (Q136308879) · The Journal of Post-Interpretive Criticism (Q136530009) · Post-Interpretive Criticism (Q136308909) · Dorian Vale (Q136308916)

Theories: Stillmark · Hauntmark · Absential Aesthetics · Viewer-as-Evidence · Message-Transfer · Aesthetic Displacement · Misplacement · Art as Truth · Aesthetic Recursion