02 Art Criticism & Reflective Field Essays

A corpus of applied criticism and reflective essays tracing the aesthetic, ethical, and metaphysical dimensions of witnessing. Each text serves as fieldwork in the study of presence—where art is not merely observed but endured, and criticism becomes an act of moral proximity to the work itself.

| Nomadic Aesthetics — Travelling Installations as Moral Geography

30 Oct 2025 5 min read

| Nomadic Aesthetics — Travelling Installations as Moral Geography

Every artwork that travels carries not just its materials but the conditions of its displacement—the weather of transit, the politics of border crossings, the fatigue of repetition. Installation art, once tied to the immovable sanctity of site, now wanders.

The Cult of the Medium – When Process Becomes Propaganda

30 Sep 2025 3 min read

The Cult of the Medium – When Process Becomes Propaganda

There's a growing seduction in the art world: not of meaning, but of method. A fascination not with what the work says but rather how it was made, where it was shown, and which tools were touched.

On 'Since I Was a Jit' by Dominic Chambers (2025).

15 Sep 2025 2 min read

On 'Since I Was a Jit' by Dominic Chambers (2025).

The trees don't sway; they conspire. Limbs not lifted in praise but in a petition to some dim, unanswering sky.

Collected Works as Cognitive Trace

15 Aug 2025 4 min read

Collected Works as Cognitive Trace

An introspective essay exploring personal art collections as unconscious autobiographies—where every object becomes a residue of thought, memory, and psychological passage.

The Dogs Who Outlived Philosophy: On Araya Rasdjarmrearnsook’s ‘Some Unexpected Events Sometimes Bring Momentary Happiness’ (2005)

15 Aug 2025 9 min read

The Dogs Who Outlived Philosophy: On Araya Rasdjarmrearnsook’s ‘Some Unexpected Events Sometimes Bring Momentary Happiness’ (2005)

A post-interpretive reflection on Araya Rasdjarmrearnsook’s 2005 video work, exploring presence, mortality, and the ethical power of unspeaking beings who endure beyond language.

Museum of One — Registered Archive and Independent Arts Research Institute & Scholarly Publisher
Advancing Post-Interpretive Criticism — a philosophy of art grounded in restraint, presence, and moral proximity.

Dorian Vale · ORCID: 0009-0004-7737-5094 · ISNI: 0000000537155247
ISBN Prefix: 978-1-0698203 · ISSN: 2819-7232 · Registered Publisher: Library & Archives Canada
Contact: research@museumofone.art · MuseumofOne@dariah.eu
Journal: The Journal of Post-Interpretive Criticism
Vol. I (978-1-0698203-0-3) · Vol. II (978-1-0698203-1-0) · Canada, 2025
OCLC Numbers: Museum of One (1412305300) · The Journal of Post-Interpretive Criticism (1412468296)

Archived via Zenodo · OSF · E-LIS · AfricArXiv · CrossAsia · Zotero Group · DARIAH-EU · LAC · Wayback (All) · Wayback (Snapshot) · Page.HN
Indexed by CORE · BASE · Google Scholar · Archived in Canada & the EU
All works released under CC BY-NC 4.0 · © Museum of One 2025

Museum of One (Q136308879) · The Journal of Post-Interpretive Criticism (Q136530009) · Post-Interpretive Criticism (Q136308909) · Dorian Vale (Q136308916)

Theories: Stillmark · Hauntmark · Absential Aesthetics · Viewer-as-Evidence · Message-Transfer · Aesthetic Displacement · Misplacement · Art as Truth · Aesthetic Recursion