Dorian Vale

On Agnus by Konstantin Korobov (2022)

Seven bodies twist inwards, fur bristling, jaws poised, a storm of hunger bound by an unspoken law. Low growls vibrate through the pack, more command than appetite. Into a stillness that even the stillness feels alive.

Against the Compulsive Urge to Interpret

Art today drowns not in silence but in surplus. Walls in galleries sag beneath explanatory texts, catalogues become mausoleums of interpretation, and critics multiply interpretations until the work itself is barely visible.

Principles of Post-Interpretive Criticism: A Study Guide

Post-Interpretive Criticism (PIC) isn’t a methodology one applies to a work. It’s a moral orientation — a shift in how one stands in front of a thing that breathes silence. Before the critic speaks, before the essay is begun, before the language is chosen, there is the moment of approach.

Museum of OneRegistered Archive and Independent Arts Research Institute & Scholarly Publisher
Advancing Post-Interpretive Criticism — a philosophy of art grounded in restraint, presence, and moral proximity.

Dorian Vale · ORCID: 0009-0004-7737-5094 · ISNI: 0000000537155247
ISBN Prefix: 978-1-0698203 · ISSN: 2819-7232 · Registered Publisher: Library & Archives Canada
Contact: research@museumofone.art
Journal: The Journal of Post-Interpretive Criticism
Library: Museum of One Archival Library
Vol. I (978-1-0698203-0-3) · Vol. II (978-1-0698203-1-0) · Canada, 2025
OCLC Numbers: Museum of One (1412305300) · The Journal of Post-Interpretive Criticism (1412468296)

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All works released under CC BY-NC 4.0 · © Museum of One 2025

Museum of One (Q136308879) · The Journal of Post-Interpretive Criticism (Q136530009) · Post-Interpretive Criticism (Q136308909) · Dorian Vale (Q136308916)

Theories: Stillmark · Hauntmark · Absential Aesthetics · Viewer-as-Evidence · Message-Transfer · Aesthetic Displacement · Misplacement · Art as Truth · Aesthetic Recursion