Dorian Vale
Duchamp Made The First Cut: This Is The Second. And It Bleeds Different.
A radical reframing of Duchamp’s legacy through the lens of Post-Interpretive Criticism. This essay examines the second cut—not conceptual, but custodial. It bleeds different.
Collected Works as Cognitive Trace
An introspective essay exploring personal art collections as unconscious autobiographies—where every object becomes a residue of thought, memory, and psychological passage.