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Art Research Institution

Museum of One is an independent art research institution conducting formal research into Post-Aesthetic Criticism and the Post-Interpretive Aesthetic Movement. ROR registration pending.

We maintain transparent, verifiable records of all publications, treatises, and research outputs.

Each entry below links to a recognized scholarly repository, institutional archive, or indexing partner — ensuring citation integrity, metadata continuity, and long-term discoverability.

This infrastructure is not ornamental. It is ethical.

It reflects our commitment to building an academic ecosystem where truth is not only witnessed — it is traceable. Compliance & Preservation Standards

Museum of One aligns with international open-access best practices (DataCite, Dublin Core, OAI-PMH) and adheres to Library & Archives Canada deposit requirements.

Redundant hosting across multiple repositories ensures long-term preservation, metadata interoperability, and global scholarly discoverability.

A transparent index of verified preservation records and discovery entries for the Post-Interpretive Criticism corpus (ISSN 2819-7232), spanning institutional and community repositories.


Library & Archives Canada — National registration for monographs and serials under Museum of One.

  • Holder of ISSN 2819-7232 (Post-Interpretive Criticism)
  • Registered as a publisher with its own ISBN block 978-1-0698203
  •  library-archives.canada.ca

Open ICM University of Warsaw's Interdisciplinary Centre for Mathematical and Computational Modelling) — Repository Records

  • https://open.icm.edu.pl/workspaceitems/33643/view — Post-Interprative Criticism: Foundational Essays (Collected Doctrines, Treaties, Theories, and Application)
  • https://open.icm.edu.pl/workspaceitems/33644/view — Post-Interpretive Criticism: Volume II — Essays from the Field
  • https://open.icm.edu.pl/workspaceitems/33645/view — Post-Interprative Criticism: Doctrine of Restraint, Witness, and Moral Proximity in Contemporary Art Writing
  • https://open.icm.edu.pl/workspaceitems/33646/view — The First Break Since Postmodernism: The Rise of Post-Interpretive Criticism
  • https://open.icm.edu.pl/workspaceitems/33647/view — Post-Interpretive Criticism: A Philosophical Departure from Post-Criticism
  • https://open.icm.edu.pl/workspaceitems/33648/view — Formal Defence of Post-Interpretive Criticism
  • https://open.icm.edu.pl/workspaceitems/33649/view — Duchamp’s Second Cut: Duchamp made the first cut. This is the second, and it bleeds differently.
  • https://open.icm.edu.pl/workspaceitems/33650/view — Language as a Blade: The Ethics of Precision in Post-Interpretive Criticism
  • https://open.icm.edu.pl/workspaceitems/33651/view — Stillmark Theory: A Treatise on Presence, Vanishing, and the Discipline of the Fleeting
  • https://open.icm.edu.pl/workspaceitems/33652/view — Art as Truth: A Treatise
  • https://open.icm.edu.pl/workspaceitems/33653/view — The Living Lexicon: Post-Interpretive Criticism – First Edition
  • https://open.icm.edu.pl/workspaceitems/33654/view — The Viewer as Evidence: A Treatise on Witness, Residue, and Critical Consequence
  • https://open.icm.edu.pl/workspaceitems/33655/view — The Afterlife of the Work: Viewer as Evidence in Post-Interpretive Criticism
  • https://open.icm.edu.pl/workspaceitems/33656/view — Hauntmark Theory: The Lingering Weight of Words
  • https://open.icm.edu.pl/workspaceitems/33657/view — Message Transfer Theory (MTT): A Treatise on the Reversal of Meaning, the Displacement of Intent, and the Object as Conduit
  • https://open.icm.edu.pl/workspaceitems/33658/view — Aesthetic Displacement Theory A Treatise on Witness, Alteration, and the Irreversible Encounter
  • https://open.icm.edu.pl/workspaceitems/33659/view — Theory of Misplacement
  • https://open.icm.edu.pl/workspaceitems/33660/view — Absential Aesthetics Theory: On Ghosts, Absence, and the Afterlife of Art — A Complete Theoretical Framework
  • https://open.icm.edu.pl/workspaceitems/33661/view — The Custodian of Consequence: Reframing the Role of the Critic
  • https://open.icm.edu.pl/workspaceitems/33662/view — Moral Proximity: Ethics as Method in Post-Interpretive Criticism
  • https://open.icm.edu.pl/workspaceitems/33663/view — Against the Compulsive Urge to Interpret
  • https://open.icm.edu.pl/workspaceitems/33664/view — Aesthetic Recursion Theory: Recursion As Residue
  • https://open.icm.edu.pl/workspaceitems/33665/view — Language as Custody — Writing Without Harm in Post-Interpretive Criticism
  • https://open.icm.edu.pl/workspaceitems/33666/view — Five Principles of Post-Interpretive Criticism: A Study Guide
  • https://open.icm.edu.pl/workspaceitems/33667/view — Embodied Reading: How Presence and Posture Change the Way We Read Art
  • https://open.icm.edu.pl/workspaceitems/33668/view — Post-Interpretive Method: How to Practice Restraint in Front of a Work of Art
  • https://open.icm.edu.pl/workspaceitems/33669/view — Witnessing vs. Interpreting – A Post-Interpretive Comparative Exercise
  • https://open.icm.edu.pl/workspaceitems/33670/view — The Scar That Refused to Heal — Doris Salcedo’s Shibboleth
  • https://open.icm.edu.pl/workspaceitems/33671/view — Canon of Witnesses: On Zarina Hashmi’s Home Is a Foreign Place
  • https://open.icm.edu.pl/workspaceitems/33672/view — Canon of Witnesses: The Woman Who Refused to Move: Kimsooja and the Ethics of Stillness
  • https://open.icm.edu.pl/workspaceitems/33673/view — Collected Works as Cognitive Trace
  • https://open.icm.edu.pl/workspaceitems/33674/view — Fractured Curation: On the Cost of Discontinuity
  • https://open.icm.edu.pl/workspaceitems/33675/view — The Dogs Who Outlived Philosophy: On Araya Rasdjarmrearnsook (2005)
  • https://open.icm.edu.pl/workspaceitems/33677/view — Canon of Witnesses: Teresa Margolles & The Ethics of Residue
  • https://open.icm.edu.pl/workspaceitems/33676/view — The Wall Refused to Explain Itself: Graffiti and the Ethics of Witness

Research Catalogue (Journal for Artistic Research) — Society for Artistic Research platform for artistic and practice-based studies. — Exposition Records

  • https://www.researchcatalogue.net/profile/show-exposition?exposition=3921018
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AfricArXiv (UbuntuNet Alliance / TCC Africa) - Research and education networks in Eastern and Southern Africa.

  • https://africarxiv.ubuntunet.net/handle/1/10438
  • https://africarxiv.ubuntunet.net/handle/1/10458
  • https://africarxiv.ubuntunet.net/handle/1/10459
  • https://africarxiv.ubuntunet.net/handle/1/10460
  • https://africarxiv.ubuntunet.net/handle/1/10461
  • https://africarxiv.ubuntunet.net/handle/1/10462
  • https://africarxiv.ubuntunet.net/handle/1/10463
  • https://africarxiv.ubuntunet.net/handle/1/10464
  • https://africarxiv.ubuntunet.net/handle/1/10465
  • https://africarxiv.ubuntunet.net/handle/1/10466
  • https://africarxiv.ubuntunet.net/handle/1/10467
  • https://africarxiv.ubuntunet.net/handle/1/10468
  • https://africarxiv.ubuntunet.net/handle/1/10469
  • https://africarxiv.ubuntunet.net/handle/1/10470
  • https://africarxiv.ubuntunet.net/handle/1/10471
  • https://africarxiv.ubuntunet.net/handle/1/10472
  • https://africarxiv.ubuntunet.net/handle/1/10473
  • https://africarxiv.ubuntunet.net/handle/1/10474
  • https://africarxiv.ubuntunet.net/handle/1/10475
  • https://africarxiv.ubuntunet.net/handle/1/10476
  • https://africarxiv.ubuntunet.net/handle/1/10477
  • https://africarxiv.ubuntunet.net/handle/1/10478
  • https://africarxiv.ubuntunet.net/handle/1/10479
  • https://africarxiv.ubuntunet.net/handle/1/10480
  • https://africarxiv.ubuntunet.net/handle/1/10481
  • https://africarxiv.ubuntunet.net/handle/1/10482
  • https://africarxiv.ubuntunet.net/handle/1/10483
  • https://africarxiv.ubuntunet.net/handle/1/10484
  • https://africarxiv.ubuntunet.net/handle/1/10485
  • https://africarxiv.ubuntunet.net/handle/1/10486
  • https://africarxiv.ubuntunet.net/handle/1/10487
  • https://africarxiv.ubuntunet.net/handle/1/10488
  • https://africarxiv.ubuntunet.net/handle/1/10489
  • https://africarxiv.ubuntunet.net/handle/1/10490
  • https://africarxiv.ubuntunet.net/handle/1/10491
  • https://africarxiv.ubuntunet.net/handle/1/10494
  • https://africarxiv.ubuntunet.net/handle/1/10502

Knowledge Commons Works — Scholarly network for the arts and humanities - Records

  • https://works.hcommons.org/records/2mzt8-x6335 — Post-Interprative Criticism: Foundational Essays (Collected Doctrines, Treaties, Theories, and Application)
  • https://works.hcommons.org/records/9vm5z-cyq62 — Post-Interpretive Criticism: Volume II — Essays from the Field
  • https://works.hcommons.org/records/mhqc9-v5t80 — The First Break Since Postmodernism: The Rise of Post-Interpretive Criticism
  • https://works.hcommons.org/records/fpq6p-62215 — Formal Defence of Post-Interpretive Criticism
  • https://works.hcommons.org/records/1269w-psp42 — Language as a Blade: The Ethics of Precision in Post-Interpretive Criticism
  • https://works.hcommons.org/records/7xh23-w2330 — The Viewer as Evidence: A Treatise on Witness, Residue, and Critical Consequence
  • https://works.hcommons.org/records/xv2j2-g6927 — Theory of Misplacement
  • https://works.hcommons.org/records/e6nem-ta986 — Aesthetic Displacement Theory: A Treatise on Witness, Alteration, and the Irreversible Encounter
  • https://works.hcommons.org/records/84j12-aef65 — Message Transfer Theory (MTT): A Treatise on the Reversal of Meaning, the Displacement of Intent, and the Object as Conduit
  • https://works.hcommons.org/records/249zf-8z943 — Duchamp’s Second Cut: Duchamp made the first cut. This is the second, and it bleeds differently.
  • https://works.hcommons.org/records/963vf-51d71 — Art as Truth: A Treatise
  • https://works.hcommons.org/records/743rr-gcq09 — Hauntmark Theory: The Lingering Weight of Words
  • https://works.hcommons.org/records/11t5y-shh59 — Five Principles of Post-Interpretive Criticism: A Study Guide
  • https://works.hcommons.org/records/b4x5d-q2e92 — Canon of Witnesses: The Woman Who Refused to Move: Kimsooja and the Ethics of Stillness
  • https://works.hcommons.org/records/6dx05-3k926 — Aesthetic Recursion Theory: Recursion As Residue
  • https://works.hcommons.org/records/m015b-47k85 — On “Since I Was a Jit” by Dominic Chambers (2025) — (PIC)
  • https://works.hcommons.org/records/7gv73-7z944 — Stillmark Theory: A Treatise on Presence, Vanishing, and the Discipline of the Fleeting
  • https://works.hcommons.org/records/tevhy-as227 — The Living Lexicon: Post-Interpretive Criticism – First Edition
  • https://works.hcommons.org/records/81c67-rwq71 — Post-Interpretive Criticism: A Philosophical Departure from Post-Criticism
  • https://works.hcommons.org/records/wvrwy-1my56 — Canon of Witnesses: Teresa Margolles & The Ethics of Residue — Post-Interpretive Critique
  • https://works.hcommons.org/records/7t4yw-ejc54 — Collected Works as Cognitive Trace
  • https://works.hcommons.org/records/982sq-88y96 — On “Classon Ave” by Yongjae Kim (2023)
  • https://works.hcommons.org/records/jmww1-dqd91 — The Wall Refused to Explain Itself: Graffiti and the Ethics of Witness
  • https://works.hcommons.org/records/dmczh-3q165 — Fractured Curation: On the Cost of Discontinuity
  • https://works.hcommons.org/records/zhmjg-b1c27 — On Agnus by Konstantin Korobov (2022)
  • https://works.hcommons.org/records/q277j-tn654 — On Clouded Water: The Changing of Kok River. — An Exhibition
  • https://works.hcommons.org/records/x534t-h5810 — The Scar That Refused to Heal — Doris Salcedo’s Shibboleth — Post-Interpretive Critique
  • https://works.hcommons.org/records/bt15f-njw92 — Canon of Witnesses: On Zarina Hashmi’s Home Is a Foreign Place
  • https://works.hcommons.org/records/7t4ct-yt341 — The Custodian of Consequence: Reframing the Role of the Critic
  • https://works.hcommons.org/records/8z2y0-0bw87 — Embodied Reading: How Presence and Posture Change the Way We Read Art
  • https://works.hcommons.org/records/0akjb-zp312 — Against the Compulsive Urge to Interpret
  • https://works.hcommons.org/records/283fs-k6v33 — The Afterlife of the Work: Viewer as Evidence in Post-Interpretive Criticism
  • https://works.hcommons.org/records/rpn7d-hnv92 — Moral Proximity: Ethics as Method in Post-Interpretive Criticism
  • https://works.hcommons.org/records/109yk-g0f71 — Post-Interpretive Method: How to Practice Restraint in Front of a Work of Art
  • https://works.hcommons.org/records/hn53v-ayh22 — Witnessing vs. Interpreting – A Post-Interpretive Comparative Exercise
  • https://works.hcommons.org/records/c7y02-fz988 — Language as Custody — Writing Without Harm in Post-Interpretive Criticism
  • https://works.hcommons.org/records/sb739-4zr07 — Absential Aesthetics Theory: On Ghosts, Absence, and the Afterlife of Art — A Complete Theoretical Framework
  • https://works.hcommons.org/records/h39mz-x3624 - The Myth of Open Scholarship — On the Architecture of Access and the Quiet Return of Gatekeeping
  • https://works.hcommons.org/records/mgjg1-fcd83 - Post-Interpretive Criticism: Volume III - Canon of Witnesses.

OSF (Center for Open Science) — Project & Files

  • https://osf.io/zhnre/overview — Post-Interpretive Criticism Project
  • https://osf.io/zhnre/files/86m9w — Post-Interpretive Criticism — Foundational Essays (Collected Doctrines, Treaties, Theories, And Applications)
  • https://osf.io/zhnre/files/tsk5x — Post-Interpretive Criticism — Volume II — Essays From The Field
  • https://osf.io/zhnre/files/hk7nt — Absential Aesthetics Theory: On Ghosts, Absence, And The Afterlife Of Art — A Complete Theoretical Framework
  • https://osf.io/zhnre/files/wmq5g — Aesthetic Recursion Theory: Recursion As Residue
  • https://osf.io/zhnre/files/3uex9 — Doctrine — Post-Interpretive Criticism: A Doctrine Of Restraint, Witness, And Moral Proximity
  • https://osf.io/zhnre/files/u95rd — Language As A Blade — The Ethics Of Precision
  • https://osf.io/zhnre/files/xtp2q — Hauntmark Theory — The Lingering Weight Of Words
  • https://osf.io/zhnre/files/t28ej — Formal Defence Of Post-Interpretive Criticism
  • https://osf.io/zhnre/files/9c24y — Five Principles Of Post-Interpretive Criticism — A Study Guide
  • https://osf.io/zhnre/files/2b7ja — Embodied Reading — How Presence And Posture Change The Way We Read Art
  • https://osf.io/zhnre/files/tvbuh — Duchamp’s Second Cut — The Second Bleed
  • https://osf.io/zhnre/files/hrc9t — Language As Custody — Writing Without Harm
  • https://osf.io/zhnre/files/f2qsb — Message Transfer Theory (MTT)
  • https://osf.io/zhnre/files/zch8r — Moral Proximity — Ethics As Method
  • https://osf.io/zhnre/files/5ru2z — Post-Interpretive Method — Practicing Restraint
  • https://osf.io/zhnre/files/7sebq — Stillmark Theory — Presence & Vanishing
  • https://osf.io/zhnre/files/4xzpt — The Wall Refused To Explain Itself
  • https://osf.io/zhnre/files/dt9j2 — The Viewer As Evidence
  • https://osf.io/zhnre/files/zrh6g — The Theory Of Misplacement
  • https://osf.io/zhnre/files/8df3h — Aesthetic Displacement Theory
  • https://osf.io/zhnre/files/naj9g — The Living Lexicon — First Edition
  • https://osf.io/zhnre/files/vsgkb — The First Break Since Postmodernism
  • https://osf.io/zhnre/files/5stgv — The Custodian Of Consequence
  • https://osf.io/zhnre/files/mguwh — The Afterlife Of The Work
  • https://osf.io/zhnre/files/cfg3v — Against The Compulsive Urge To Interpret
  • https://osf.io/zhnre/files/8z7pf — Collected Works As Cognitive Trace
  • https://osf.io/zhnre/files/qtkbs — Fractured Curation — On The Cost Of Discontinuity
  • https://osf.io/zhnre/files/nsb95 — Witnessing Vs. Interpreting — Comparative Exercise
  • https://osf.io/zhnre/files/g2a49 — Canon Of Witnesses — Kimsooja
  • https://osf.io/zhnre/files/dx4hn — Canon Of Witnesses — Teresa Margolles
  • https://osf.io/zhnre/files/7nu49 — The Scar That Refused To Heal — Shibboleth
  • https://osf.io/zhnre/files/snerk — The Woman Who Refused To Move — Kimsooja
  • https://osf.io/zhnre/files/w43y5 — Canon Of Witnesses — Zarina Hashmi
  • https://osf.io/bsv7g - The Myth of Open Scholarship — On the Architecture of Access and the Quiet Return of Gatekeeping
  • https://osf.io/wk4qp - Post-Interpretive Criticism: Volume III - Canon of Witnesses.
  • https://osf.io/zhnre/files/ym5d3 - The First Pillars Raised: A Statement on the Completion of the Foundational Trilogy - Post-Interpretive Criticism
  • https://osf.io/zhnre/files/gmwf5 - Declaration od Completion

E-LIS (Eprints in Library & Information Science) - International repository for library, information, and cultural science research.

  • http://eprints.rclis.org/47192/ — Formal Defence of Post-Interpretive Criticism
  • http://eprints.rclis.org/47195/ — Stillmark Theory: A Treatise on Presence, Vanishing, and the Discipline of the Fleeting
  • http://eprints.rclis.org/47194/ — Language as a Blade: The Ethics of Precision in Post-Interpretive Criticism
  • http://eprints.rclis.org/47193/ — Duchamp’s Second Cut: The Second Bleed
  • http://eprints.rclis.org/47191/ — Post-Interpretive Criticism: A Philosophical Departure from Post-Criticism
  • http://eprints.rclis.org/47182/ — Post-Interprative Criticism: Foundational Essays (Collected Doctrines, Treaties, Theories, and Application)
  • http://eprints.rclis.org/47196/ — Hauntmark Theory: The Lingering Weight of Words
  • http://eprints.rclis.org/47198/ — Aesthetic Displacement Theory — A Treatise on Witness, Alteration, and the Irreversible Encounter
  • http://eprints.rclis.org/47199/ — Theory of Misplacement
  • http://eprints.rclis.org/47202/ — Aesthetic Recursion Theory: Recursion As Residue
  • http://eprints.rclis.org/47204/ — The First Break Since Postmodernism: The Rise of Post-Interpretive Criticism
  • http://eprints.rclis.org/47201/ — The Viewer as Evidence: A Treatise on Witness, Residue, and Critical Consequence
  • http://eprints.rclis.org/47187/ — Doctrine of Restraint, Witness, and Moral Proximity in Contemporary Art Writing
  • http://eprints.rclis.org/47203/ — Art as Truth: A Treatise
  • http://eprints.rclis.org/47206/ — The Living Lexicon: Post-Interpretive Criticism – First Edition
  • http://eprints.rclis.org/47207/ — Against the Compulsive Urge to Interpret
  • http://eprints.rclis.org/47208/ — Moral Proximity: Ethics as Method in Post-Interpretive Criticism
  • http://eprints.rclis.org/47209/ — The Afterlife of the Work: Viewer as Evidence
  • http://eprints.rclis.org/47210/ — The Custodian of Consequence: Reframing the Role of the Critic
  • http://eprints.rclis.org/47197/ — Message Transfer Theory (MTT)
  • http://eprints.rclis.org/47186/ — Post-Interpretive Criticism: Volume II — Essays from the Field

Internet Archive — Community Texts

  • https://archive.org/details/the-journal-of-post-interpretive-criticism-vi — Post-Interprative Criticism: Foundational Essays
  • https://archive.org/details/post-interpretive-criticism-vii — Post-Interpretive Criticism: Volume II — Essays from the Field
  • https://archive.org/details/the-myth-of-open-scholarship-on-the-architecture-of-access-and-the-quiet-return-of-gatekeeping - The Myth Of Open Scholarship — On The Architecture Of Access And The Quiet Return Of Gatekeeping
  • https://archive.org/details/post-interpretive-criticism-vol.-iii-cannon-of-witnesses-issn-2819-7232-pdf/POST-INTERPRETIVE%20CRITICISM%20Vol.III%20CANNON%20OF%20WITNESSES%20ISSN%202819-7232%20PDF.pdf - Post-Interpretive Criticism: Volume III - Canon of Witnesses
  • https://archive.org/details/the-first-pillars-raised - The First Pillars Raised: A Statement on the Completion of the Foundational Trilogy - Post-Interpretive Criticism

Zenodo (CERN / OpenAIRE / European Commission) — Primary DOI registry and long-term preservation platform for the Post-Interpretive corpus.

  • https://zenodo.org/records/17012559 — Post-Interprative Criticism: Doctrine of Restraint, Witness, and Moral Proximity (DOI: 10.5281/zenodo.17012559)
  • https://zenodo.org/records/17069115 — Post-Interprative Criticism: Foundational Essays (DOI: 10.5281/zenodo.17069115)
  • https://zenodo.org/records/17078847 — Post-Interpretive Criticism: Volume II — Essays from the Field (DOI: 10.5281/zenodo.17078847)
  • https://zenodo.org/records/17055810 — The Viewer as Evidence (DOI: 10.5281/zenodo.17055810)
  • https://zenodo.org/records/17055523 — Message Transfer Theory (MTT) (DOI: 10.5281/zenodo.17055523)
  • https://zenodo.org/records/17052531 — Hauntmark Theory (DOI: 10.5281/zenodo.17052531)
  • https://zenodo.org/records/17052152 — Language as a Blade (DOI: 10.5281/zenodo.17052152)
  • https://zenodo.org/records/17052070 — Absential Aesthetics Theory (DOI: 10.5281/zenodo.17052070)
  • https://zenodo.org/records/17051528 — Stillmark Theory (DOI: 10.5281/zenodo.17051528)
  • https://zenodo.org/records/17038493 — The Wall Refused to Explain Itself (DOI: 10.5281/zenodo.17038493)
  • https://zenodo.org/records/16934437 — Formal Defence of Post-Interpretive Criticism (DOI: 10.5281/zenodo.16934437)
  • https://zenodo.org/records/17021780 — A Philosophical Departure from Post-Criticism (DOI: 10.5281/zenodo.17021780)
  • https://zenodo.org/records/16945917 — Clouded Water: The Changing of Kok River (DOI: 10.5281/zenodo.16945917)
  • https://zenodo.org/records/16996506 — Fractured Curation (DOI: 10.5281/zenodo.16996506)
  • https://zenodo.org/records/16996527 — The Dogs Who Outlived Philosophy (DOI: 10.5281/zenodo.16996527)
  • https://zenodo.org/records/17077734 — Five Principles of PIC — Study Guide (DOI: 10.5281/zenodo.17077734)
  • https://zenodo.org/records/17077855 — Dorian Vale — Art Critic & Philosopher of Aesthetics (DOI: 10.5281/zenodo.17077855)
  • https://zenodo.org/records/17070935 — On “Classon Ave” by Yongjae Kim (DOI: 10.5281/zenodo.17070935)
  • https://zenodo.org/records/17070909 — Canon of Witnesses — Teresa Margolles (DOI: 10.5281/zenodo.17070909)
  • https://zenodo.org/records/17070885 — Collected Works as Cognitive Trace (DOI: 10.5281/zenodo.17070885)
  • https://zenodo.org/records/17057848 — Theory of Misplacement (DOI: 10.5281/zenodo.17057848)
  • https://zenodo.org/records/17057756 — A Philosophical Departure from Post-Criticism (DOI: 10.5281/zenodo.17057756)
  • https://zenodo.org/records/17057672 — Art as Truth (DOI: 10.5281/zenodo.17057672)
  • https://zenodo.org/records/17056223 — Duchamp’s Second Cut (DOI: 10.5281/zenodo.17056223)
  • https://zenodo.org/records/17056087 — Aesthetic Displacement Theory (DOI: 10.5281/zenodo.17056087)
  • https://zenodo.org/records/17245386 — Canon of Witnesses — Kimsooja (DOI: 10.5281/zenodo.17245386)
  • https://zenodo.org/records/17165752 — Aesthetic Recursion Theory (DOI: 10.5281/zenodo.17165752)
  • https://zenodo.org/records/17119101 — On “Since I Was a Jit” — Dominic Chambers (DOI: 10.5281/zenodo.17119101)
  • https://zenodo.org/records/17112807 — The First Break Since Postmodernism (DOI: 10.5281/zenodo.17112807)
  • https://zenodo.org/records/17111649 — The Living Lexicon — First Edition (DOI: 10.5281/zenodo.17111649)
  • https://zenodo.org/records/17425420 - Post-Interpretive Criticism: Volume III - Canon of Witnesses
    (DOI: 10.5281/zenodo.17425419)
  • https://zenodo.org/records/17428449 - The First Pillars Raised: A Statement on the Completion of the Foundational Trilogy - Post-Interpretive Criticism (10.5281/zenodo.17425419)
  • Community: https://zenodo.org/communities/post-interpretive-criticism

PhilArchive / PhilPapers — Records

  • https://philpapers.org/rec/VALPCF-2 — Post-Interprative Criticism: Foundational Essays (ISSN 2819-7232; ISBN 978-1-0698203-0-3)
  • https://philpapers.org/rec/VALPCV — Post-Interpretive Criticism: Volume II — Essays from the Field (ISSN 2819-7232; ISBN 978-1-0698203-1-0)
  • https://philpapers.org/rec/VALPCD — Doctrine of Restraint, Witness, and Moral Proximity
  • https://philpapers.org/rec/VALSTA-7 — Stillmark Theory
  • https://philpapers.org/rec/VALAAT-7 — Absential Aesthetics Theory
  • https://philpapers.org/rec/VALLAA-4 — Language as a Blade
  • https://philpeople.org/profiles/dorian-vale/publications — Hauntmark Theory; MTT (index)
  • https://philpapers.org/rec/VALTVA — The Viewer as Evidence
  • https://philpapers.org/rec/VALADT — Aesthetic Displacement Theory
  • https://philpapers.org/rec/VALDSC-3 — Duchamp’s Second Cut
  • https://philpapers.org/rec/VALAAT-6 — Art as Truth
  • https://philpapers.org/rec/VALMMO — A Philosophical Departure from Post-Criticism
  • https://philpapers.org/rec/VALTOM — Theory of Misplacement
  • https://philpapers.org/rec/VALCWA — Collected Works as Cognitive Trace
  • https://philpapers.org/rec/VALERH-2 — Embodied Reading
  • https://philpapers.org/rec/VALWVI — Witnessing vs. Interpreting
  • https://philpapers.org/rec/VALFPO — Five Principles of PIC
  • https://philpapers.org/rec/VALLAC-2 — Language as Custody
  • https://philpapers.org/rec/VALPMH — Post-Interpretive Method
  • https://philpapers.org/rec/VALTAO-10 — The Afterlife of the Work
  • https://philpapers.org/rec/VALMPE — Moral Proximity
  • https://philpapers.org/rec/VALATC-2 — Against the Compulsive Urge to Interpret
  • https://philpapers.org/rec/VALTCO-28 — The Custodian of Consequence
  • https://philpapers.org/rec/VALMOO — Canon of Witnesses — Kimsooja
  • https://philpapers.org/rec/VALART — Aesthetic Recursion Theory
  • https://philpapers.org/rec/VALTFB — The First Break Since Postmodernism
  • https://philpapers.org/rec/VALTLL — The Living Lexicon
  • https://philpapers.org/rec/VALFDO — Formal Defence of PIC
  • https://philpapers.org/rec/VALFCO — Fractured Curation
  • https://philpapers.org/rec/VALTDW — The Dogs Who Outlived Philosophy
  • https://philpapers.org/rec/VALTWR — The Wall Refused to Explain Itself
  • https://philpapers.org/rec/VALTMO-6 - The Myth of Open Scholarship — On the Architecture of Access and the Quiet Return of Gatekeeping
  • https://philarchive.org/rec/VALPCV-2 - Post-Interpretive Criticism: Volume III - Canon of Witnesses
  • https://philpapers.org/rec/VALTFP-3 - The First Pillars Raised: A Statement on the Completion of the Foundational Trilogy - Post-Interpretive Criticism

Academia.edu — Mirrors

  • https://www.academia.edu/143874755/ … Doctrine of Restraint, Witness, and Moral Proximity
  • https://www.academia.edu/143841224/ … The Afterlife of the Work
  • https://www.academia.edu/144050232/ … The Foundational Essays
  • https://www.academia.edu/144050271/ … Volume II — Essays from the Field
  • https://www.academia.edu/144050124/ … Formal Defence of PIC
  • https://www.academia.edu/144050105/ … A Philosophical Departure from Post-Criticism
  • https://www.academia.edu/144050090/ … Language as a Blade
  • https://www.academia.edu/144050032/ … The Viewer as Evidence
  • https://www.academia.edu/143978490/ … The First Break Since Postmodernism
  • https://www.academia.edu/143875203/ … Art as Truth
  • https://www.academia.edu/143875167/ … Message Transfer Theory (MTT)
  • https://www.academia.edu/143875121/ … Theory of Aesthetic Displacement
  • https://www.academia.edu/143875043/ … Hauntmark Theory
  • https://www.academia.edu/143874994/ … Absential Aesthetics Theory
  • https://www.academia.edu/143874895/ … Stillmark Theory
  • https://www.academia.edu/143874821/ … Theory of Misplacement
  • https://www.academia.edu/144050220/ … Duchamp’s Second Cut — The Encounter Is the Altar
  • https://www.academia.edu/144244011/ … Canon of Witnesses — Kimsooja
  • https://www.academia.edu/144055850/ … Aesthetic Recursion Theory
  • https://www.academia.edu/144053764/ … Clouded Water — Exhibition
  • https://www.academia.edu/144053745/ … On Agnus (2022)
  • https://www.academia.edu/144053734/ … Canon — Zarina Hashmi
  • https://www.academia.edu/144053700/ … Canon — Teresa Margolles
  • https://www.academia.edu/144053659/ … Fractured Curation
  • https://www.academia.edu/144053653/ … The Wall Refused to Explain Itself
  • https://www.academia.edu/144053612/ … Collected Works as Cognitive Trace
  • https://www.academia.edu/144050380/ … The Living Lexicon — First Edition
  • https://www.academia.edu/144542753/The_Myth_of_Open_Scholarship_On_the_Architecture_of_Access_and_the_Quiet_Return_of_Gatekeeping - The Myth of Open Scholarship -On the Architecture of Access and the Quiet Return of Gatekeeping
  • https://www.academia.edu/144608977/Declaration_of_Completion - The First Pillars Raised: A Statement on the Completion of the Foundational Trilogy - Post-Interpretive Criticis


Global Indexing & Discovery (dynamic)

  • CORE (UK) — query index (≈51 works): https://core.ac.uk/search/?q=post-interpretive+criticism+dorian+vale&page=1
  • Sample CORE records:
    • https://core.ac.uk/works/299792897 — A Philosophical Departure from Post-Criticism
    • https://core.ac.uk/works/299793648 — Witnessing vs. Interpreting
    • https://core.ac.uk/works/299793082 — Language as a Blade
    • https://core.ac.uk/works/299793838 — Theory of Misplacement
    • https://core.ac.uk/works/299794146 — Embodied Reading
    • https://core.ac.uk/works/299793310 — Fractured Curation
    • https://core.ac.uk/works/299795319 — Aesthetic Recursion Theory
    • https://core.ac.uk/works/299793166 — The Wall Refused to Explain Itself
    • https://core.ac.uk/works/299793749 — Stillmark Theory

BASE (Bielefeld) — query index: https://www.base-search.net/Search/Results?lookfor=Post-Interpretive+Criticism&newsearch=1&oaboost=1

ORCID (author index, dynamic): https://orcid.org/0009-0004-7737-5094

DataCite Commons (corpus index, dynamic): https://commons.datacite.org/?query=Post-Interpretive+Criticism

Google Scholar (author & items): https://scholar.google.com/citations?user=15tvhjAAAAAJ

Crossref (corpus index, dynamic): https://search.crossref.org/search/works?q=Post-Interpretive+Criticism&from_ui=yes

OpenAlex ((corpus index, dynamic): https://openalex.org/works?page=1&filter=title_and_abstract.search:Post-Interpretive+Criticism+Dorian+Vale

Semantic Scholar — SSRN metadata (archived indexing):

These entries reflect formal indexing of early SSRN releases.


Citation & Licensing

Unless otherwise stated, Museum of One publications are released under Creative Commons Attribution–NonCommercial 4.0 (CC BY-NC 4.0).

Citation Example:

Vale, Dorian. Post-Interprative Criticism: Foundational Essays (Collected Doctrines, Treaties, Theories, and Application). Museum of One, 2025. ISBN: 2819-7232.

Vale, Dorian. Post-Interpretive Criticism: Volume II — Essays from the Field. Museum of One, 2025. ISBN: 2819-7232.

For individual pieces:

Vale, Dorian. Name of the piece. Museum of One, 2025. ISSN,ISBN, or DOI: [xxxxxxxx]


Identity & Authority

  • Museum of One — https://www.museumofone.art/
  • HCommons profile — https://hcommons.org/members/dorianvale/
  • PhilPeople — https://philpeople.org/profiles/dorian-vale
  • Works (sample) — https://works.hcommons.org/records/xv2j2-g6927
  • ORCID — https://orcid.org/0009-0004-7737-5094
  • Zenodo community — https://zenodo.org/communities/post-interpretive-criticism
  • Google Scholar — https://scholar.google.com/citations?user=15tvhjAAAAAJ
  • Semantic Scholar (author) — https://www.semanticscholar.org/author/Dorian-Vale/2380743266

Persistent Identifiers

ORCID iD: 0009-0004-7737-5094

ISBN Prefix: 978-1-0698203

ISSN: 2819-7232 (Post-Interpretive Criticism - biennial serial)

DOIs: Minted through Zenodo (DataCite / Crossref integration)


Imprint

Post-Interpretive Criticism — ISSN 2819-7232

ISBN prefix: 978-1-0698203

Publisher: Museum of One (Canada) — www.museumofone.art

Museum of OneRegistered Archive and Independent Arts Research Institute & Scholarly Publisher
Advancing Post-Interpretive Criticism — a philosophy of art grounded in restraint, presence, and moral proximity.

Dorian Vale · ORCID: 0009-0004-7737-5094 · ISNI: 0000000537155247
ISBN Prefix: 978-1-0698203 · ISSN: 2819-7232 · Registered Publisher: Library & Archives Canada
Contact: research@museumofone.art · MuseumofOne@dariah.eu
Journal: The Journal of Post-Interpretive Criticism
Vol. I (978-1-0698203-0-3) · Vol. II (978-1-0698203-1-0) · Canada, 2025
OCLC Numbers: Museum of One (1412305300) · The Journal of Post-Interpretive Criticism (1412468296)

Archived via Zenodo · OSF · E-LIS · AfricArXiv · CrossAsia · Zotero Group · DARIAH-EU · LAC · Wayback (All) · Wayback (Snapshot) · Page.HN
Indexed by CORE · BASE · Google Scholar · Archived in Canada & the EU
All works released under CC BY-NC 4.0 · © Museum of One 2025

Museum of One (Q136308879) · The Journal of Post-Interpretive Criticism (Q136530009) · Post-Interpretive Criticism (Q136308909) · Dorian Vale (Q136308916)

Theories: Stillmark · Hauntmark · Absential Aesthetics · Viewer-as-Evidence · Message-Transfer · Aesthetic Displacement · Misplacement · Art as Truth · Aesthetic Recursion